MeetsFor years, the Marseille manager relied on the same artistic team and forged romantic relationships with the performers. For “A Passing Story Chronicle”, presented at Cannes, he once again allowed himself to be guided by his taste for others.
face to face face to face at temporary contact facts, The new film directed by Emmanuel Moret, shown on May 21 at the Festival de Cannes, before being shown in theaters in the fall, a man and a woman love each other, without inflection or obligation. “I liked the idea of two lovers deciding to see each other just for fun, without planning anything, trapped in the happiness of being together,” Says the director who chose Vincent McCain and Sandrine Kieberlin as interpreters. Simplicity will become complex very quickly. As is often the case in the cinema of Emmanuel Moret.
“It’s kind of a family celebration. When Sunday is over, we know we’ll meet again next Christmas.” David Feffer, production designer
Difficult matters, misunderstandings, digressions, misunderstandings, embarrassments, trial and error, unwanted sarcasm, and philosophical questions were, in eleven feature films, pressing of his plots, Let Lucy do it! (2000) to Mademoiselle de Joncquières (2018), from a kiss, please! (2007) in The things we say, the things we do (2020).
In Marseillais films we talk about love more than we do. from Excessive contributions. As he likes to describe these stories, he is always choral, lively and nourished by his readings of authors who have tried to decipher the feeling of love: La Rochefoucauld, Bataille, Lacan, Barthes or Jankélévitch … the duration of emotions and fulfillment.
faithful ? Few directors are as good as him. At the age of 51, Emmanuel Moreh is still working with sound engineer Maxime Gavaudan, a high school friend, and confidant in Friedrich Niedermayer, his producer for twenty years, from the same class as Femis. “There is a long-standing friendship between us, as if we were pursuing work, research, from film to film,” He said. Niedermayr talks about a “Continuous dialogue”. Together they discussed the next feature film to be produced, among the various projects Morette was still considering, to build the cast along. “He tells me about the beginnings of stories and sees if I’m interested. And since he’s a tender boy, he doesn’t go on if he sees I’m grouchy, Product welcome.
In front of the camera, too, Emmanuel Moret loves to get hung up. His films of the 2000s, the refreshing Woody Allen-style comedy in which he himself played the actor, with his lunar student face, were often based on the delicious duo he formed with Frederic Peel, a former model. With a sharp comedic talent. He has also transformed Cécile de France, Anais Demoustier, Virginie Evira, Laure Calamy, Emily DeQuinn…so many actresses who have found sweetness in his eyes.
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